The internet went from showing food recipe videos to alchemy in less than a decade. There’s going to be a quick video on how to make the philosopher’s stone from tomato sauce next week.
I knew that thing about the ketchup, but why did they have to use their bare hand???
Making your angst hurt:the power of lighthearted scenes.
I’m incredibly disappointed with the trend in stories (especially ‘edgy’ YA novels) to bombard the reader with traumatic situations, angry characters, and relationship drama without ever first giving them a reason to root for a better future. As a reader…
I might care that the main siblings are fighting if they had first been shown to have at least one happy, healthy conversation.
I might cry and rage with the protagonist if I knew they actually had the capacity to laugh and smile and be happy.
I might be hit by heavy and dark situations if there was some notion that it was possible for this world to have light and hope and joy to begin with.
Writers seem to forget that their reader’s eyes adjust to the dark. If you want to give your reader a truly bleak situation in a continually dim setting, you have to put them in pitch blackness. But if you just shine a light first, the sudden change makes the contrast appear substantial.
Show your readers what light means to your character before taking it away. Let the reader bond with the characters in their happy moments before (and in between) tearing them apart. Give readers a future to root for by putting sparks of that future into the past and the present. Make your character’s tears and anger mean something.
Not only will this give your dark and emotional scenes more impact, but it says something that we as humans desperately, desperately need to hear.
Books with light amidst the darkness tell us that while things are hard and hurt, that we’re still allowed to breathe and hope and live and even laugh within the darkness.
We as humans need to hear this more often, because acting it out is the only way we stop from suffocating long enough to make a difference.
So write angst, and darkness, and gritty, painful stories, full of treacherous morally grey characters if you want to. But don’t forget to turn the light on occasionally.
The mental shift between realising this is animated.
there are so many things great about this aside from how hardcore this mosh pit is
– the shield that gets launched into the stratosphere as soon as the armies collide – the guy on the left side who somehow manages to do a complete 180 in all of the mayhem and dives out of frame -the guy on the right side who decides not to get involved and runs right past the camera – the final dude who trips in the least natural way possible